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I have been a practitioner of participatory artworks for fifteen years, with national and international experience, so I am well versed in the practicalities of this type of work: I know its potentialities and its pitfalls. I also have a PhD in the subject, and therefore also understand the academic and theoretical frameworks around how this type of work should function, and why. In other words, I can confidently speak about ‘working with people’ and critically assess how and why I did not make ‘art’, despite working incredibly hard during this six-month-long, exceptionally well-funded project.

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